|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
on a mat appear | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
2011 - A video documentation (8.21 minutes) of the half dimensional poems presentation in the Kunstpalast Düsseldorf 24.2.2011, with on a mat appear -, improvised poetry in WP8 Düsseldorf 12.3.2011, was filmed and edited and produced by Maximilian Hoffs. An audio CD documentation of Roland Graeter’s free improvised Music Marathon # 194 (cello/voice) - 36,5 minutes, encore 3:65 minutes, featuring Tanya Ury (on a mat appear - Lautquälerei, improvised poetry) and Uwe Laukeningkat (percussion) was recorded at Grosse Brinkgasse 16, D-50672 Cologne (D) 13.7.2011 and edited by Bernhard Rummel. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
A documentation (English/German) of SONGS WITH WORDS, 13.7.2012, a concert, with toned poems by Tanya Ury (poems in English and German) and Kasander Nilist (double bass and sound mix), 2012, and improvisation – free improvised music: Kasander Nilist (double bass), Hans Salz (percussion), Peter Alexius Worringer (electric guitar), Featuring Tanya Ury (on a mat appear – lautquälerei, improvised poetry mostly in English with German) performed in the Kunstraum St. Michael, Brüsseler Platz, Cologne (D) was filmed Parisa Karimi & Mehrnaz Asadi, edited by Tanya Ury and Mirco Sanftleben and produced by Tanya Ury. http://www.artundamen.de/index.php/Künstlerdetails/events/91.html Documentation, 47:00 minutes: http://vimeo.com/49010713 The musicians are all active in the very lively free improvised music scene in Cologne and Düsseldorf. The open sessions: Improvisatorium Cologne, the summer and winter sessions in Düsseldorf, for free improvised forms of music are unique to the locality. Having developed her projects with concrete poetry Tanya Ury embarked on a venture of improvised poetry with sound intensity and word play. In its style and intention the concrete poetry is a collection of jumbled, abstract ideas that reflect the day-to-day life and mood of the artist. Above all, it is improvised and written down immediately - in essence it is automatic writing. Tanya Ury’s written poetry may be regarded as “concrete” because of its visual design, and unconventional aural effect when spoken - the texts thereby gain in dimension beyond accepted meaning. Ury has also created other artworks that might be considered visual poetry. Moving Message 1992, incorporates an LED sign displaying the words: you are why; wrestlewithyourangel 2001, is a neon sign produced together with the neon sign neonazi 2001; the title of a double photo portrait lesser is me more or less 2003 plays on the name of the German Post-Impressionist Lesser Ury, as does the title of a further double portrait or else 2007, which refers to the German writer Else Ury. The title of a third photo-portrait Beelzebularin 2005 reveals itself to be an anagram of the biblical Bezalel Ben Uri. half dimensional - semi detached 2010 combines the first of the half dimensional poems with the photograph semi detached. Concrete poetry in the series: femiNINIty – femininiation 1984 & 2011 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Ury has also created other artworks that might be considered visual poetry. Moving Message 1992, incorporates an LED sign displaying the words: you are why; wrestlewithyourangel 2001, is a neon sign produced together with the neon sign neonazi 2001; the title of a double photo portrait lesser is me more or less 2003 plays on the name of the German Post-Impressionist Lesser Ury, as does the title of a further double portrait or else 2007, which refers to the German writer Else Ury. The title of a third photo-portrait Beelzebularin 2005 reveals itself to be an anagram of the biblical Bezalel Ben Uri. half dimensional - semi detached 2010 combines the first of the half dimensional poems with the photograph semi detached. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Encore 3:65 minutes, from Roland Graeter’s free improvised Music Marathon # 194 (cello/voice) featuring Tanya Ury (on a mat appear - Lautquälerei, improvised poetry) and Uwe Laukeningkat (percussion), recorded at Grosse Brinkgasse 16, D-50672 Cologne (D) 13.7.2011. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
TANYA URY I cannot calculate a canvas cute cornucope pokia copia copious futures are absent pretentious sie suchte Portnoy give me a break Bruchteile she pandered it was a pastoral disease police protection in Padua it was a permanent scheinheiliger on the shoreline wistful mussels it was a salt-free it did not become them they became untouchable unkraut es wird koste es bitte bitter gläserne es war fortschritt ewiger Araber can you carry it off x Kirsche ZeitLupe x weit hinaus cognac cognitive 8 on its side I’ll drink she parted her hair poetry can it was a pretty party it was one of those parties a I would be privy but he only smoked inside the muscle no pearl under polite conversation sing for your gaited shoes grow up poles apart bring me a parcel mortem that I may read a reed a wreath lecture es kann aber auch it was an unusual untold honours she betrayed her beauty an Stell Dich nicht lauwarmes wasser hear me I am a soothe be your heart feet footsie index ZUGABE ich spare sparring locked in they do it in summer I found a shipmate it’s poetry if they placate auf dem bürgersteig es ging ihr es ging eine welle von emotionen gib’s zu wie |
ROLAND GRAETER x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x voices voices x x Treblinka x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x x |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||