|
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
Word-fore-play - Recipe for Love | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
September 1995 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This short love poem is a humorous but passionate string of word foreplay oriented around oral and aural desire, culinary, with a sensed jazz rhythm beat. xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx*** Ury has also created other artworks that might be considered visual poetry. Moving Message 1992, incorporates an LED sign displaying the words: you are why; wrestlewithyourangel 2001, is a neon sign produced together with the neon sign neonazi 2001 the title of a double photo portrait lesser is me more or less 2003 plays on the name of the German Post-Impressionist Lesser Ury, as does the title of a further double portrait or else 2007, which refers to the German writer Else Ury. The title of a third photo-portrait Beelzebularin 2005 reveals itself to be an anagram of the biblical Bezalel Ben Uri. half dimensional - semi detached 2010 combines the first of the half dimensional poems with the photograph semi detached. Concrete poetry in the series: femiNINIty – femininiation 1984 & 2011 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| more | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||